Helmed by Bristol sound co-founder the musician-producer, this scabrous though slight first film turns a sceptical eye on 90s rave culture. Venal pillhead David (the actor) initially steals from an unconscious dealer, then in a later recollection tries to break into his own family home. In no time, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the ecstasy generation were mainly focused on themselves – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Woodsman turns up, enraged after David kills his dog. Nevertheless, a grimly amusing duel takes hold – David eager to get away; the Poacher withholding his jerrycan of cider, intent on soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Sensibility
Just a single key story turn, but it results in a comically executed chaotic run on the forest trails that veers toward folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the opening part, he now lets rip with the full psychedelic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
The film is in UK and Irish cinemas from November 17.